It’s taken me a long time to forgive director Phyllida Lloyd for the cinematic abomination that is Mama Mia! (I only got through it by watching the musical numbers on fast-forward.) Now she’s courting controversy with The Iron Lady, a… Continue Reading →
“And as The Hour fails to impress its audience, can they turn things around?” That was the 2011 BBC continuity announcer talking about the fledgling news show within the 1950s-set drama. But I don’t think I’m the only viewer who… Continue Reading →
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